Gallery · 2015

Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes

16–30 July 2015 · White Box, Level 4, Griffith University Southbank
16–25 July 2015 · Project Gallery, Webb Centre, Griffith University Southbank, Brisbane
Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes

Video work Image credit Miriam_Deprez

My research practice has sought to deploy various drawing strategies and print processes to uncover something of the land/water interactive systems that we cannot visibly experience.

Drawing the artesian is a body of work that examines new ways to engage with, perceive, and imagine the groundwater basins that lie below the Nebine, Wallam and Maranoa watersheds including the Great Artesian Basin. By their very nature, groundwater systems are challenging to visualise, often making them difficult to understand scientifically, yet many settlements would not exist without this water. For thousands of years, the groundwater resource sustained life for Indigenous peoples who still maintain sacred connections to the rivers and springs.

This landscape is familiar to me as I lived for many years on the Wallam Creek catchment, and I return to places on river and creek beds, bore sites and drains, and turkey nest dams. The drawing methods I use incorporate forms of chance, which link ideas to unknown or at least unlooked-for meanings. Collaborating with land, water and other elements is instrumental while mark making on and in areas of inland Australia.

Paper responds immediately to these circumstances. It has a memory of where it was rolled, folded and creased, and so can take on something of the surface it once laid on — flood fences and objects from the pastoral landscape. The hand made Japanese papers have been imprinted on netting fences, tied to rung trees, and placed in various earth and creek beds. With one, I swept it over coals after a controlled burn. Finally I have washed over these impressions with black paint and ink, and shot holes through the surface. Acknowledging the Traditional Custodians of the Land and Waters where the research and drawing was created: Gunggari, Bidjara and Kooma Countries.

Jude Roberts, 2015

View the Drawing the Artesian catalogue here
When you feel that landscape is leaning in on you in a way—all the time—always leaning in making claims and it changes your shape.“Tim Winton 2012, http://blogs.abc.net.au/nsw/2012/10/timwinton- speaks-of-new-signs-of-life.html.
Works

Click any work to enlarge it.

Subterranean Boundaries
Subterranean Boundaries 2015
Mixed media with shot perforations on hand made Japanese paper, 1820 × 650mm × 2 scrolls
1820 x 650 x 2
Not for sale
Photo Darcy Foott
Greater Acceleration (3)
Greater Acceleration (3) 2013
Monotype and drawing on khadi paper
208 × 70cm
Sold
Photo Mick Richards
Drawings from ‘ever flowing’ series
Drawings from ‘ever flowing’ series 2015
Mixed media on polypropylene The imagery was sourced from historical photos as well as drawings created on running bores in Western Queensland. The drawings depict the way artesian water flows into bore drains. Gradually the bores are being capped to save the precious source of the groundwater Basins.
Various sizes mostly 30 × 21cm each
Sold
Photo Mick Richards
Everflowing
Everflowing 2014
Mixed media on polypropylene
30 x 21cm
Sold
River Recharge (series 2 of 4)
River Recharge (series 2 of 4) 2015
River stains and mixed media on khadi and Arches paper with shot perforations. Khadi 300 × 410mm, Arches 280 × 220mm
Land Writing (wiping)
Land Writing (wiping) 2015
Still of Video installation on Lithographic stone
Not for sale
Video editor James Taggart
Yellow frottage
Yellow frottage 2015
found sediments and lithographic crayon on kitikata papers
Geo-graphis (Drawing the Earth)
Geo-graphis (Drawing the Earth) 2015
Lithographic crayon on 40 sheets kozo paper, plastic rod, wire, light, dimensions variable
Everflowing
Everflowing 2015
Mixed media on polypropylene
30 x 21cm
Sold
Everflowing series installation
Everflowing series installation 2015
Mixed media on polypropylene
Sold
Video installation on Lithographic stone 2015
Video installation on Lithographic stone 2015 2015
The video installation was also included in 'Casting Body', a delegate show at Drawing International Brisbane, Griffith University, Southbank, Curated Kellie O’Dempsey.
collection of Lithographs installed for Doctorate exhibition
collection of Lithographs installed for Doctorate exhibition 2015
Celestial Sphere
Celestial Sphere 2015
mixed media on Khadi paper $800. unframed
600mm diameter
Available
Exhibtion title in White Box Gallery
Exhibtion title in White Box Gallery 2015
Process
Japanese scroll paper, hanging on stock yard fence.
Japanese scroll paper, hanging on stock yard fence.
Installation
Opening night, Video installation- 26 July 2015.
Opening night, Video installation- 26 July 2015.
Image Credit Miriam Deprez
Image Credit Miriam Deprez
Catalogue
Published by
Octivium Press, Queensland College of Art, Griffith University, Brisbane
ISBN
9781922216731
Editor
Donal Fitzpatrick
Essay
Associate Professor Donal Fitzpatrick
Design
Clare Cowley
Photography
Artwork by Mick Richards · process and field by Jude Roberts · Subterranean Boundaries by Darcy Foott · opening and installation by Miriam Deprez
Jude Taggart Roberts

Acknowledging the Aboriginal and Torres Strait Islander Peoples as the Traditional Custodians of the land and waters where I work and live and pay respects to the Elders past present and emerging.